Personne ne ramasse ma langue
Concept · Lisa Tatin, Simona Gallo
Voix / performance / composition · Lisa Tatin, Chloé Bieri
Video light design / live electronics · Simona Gallo
Electronique · Dionysios Papanicolaou, Chloé Bieri, Till Lingenberg
Textes · Laura Vazquez, Lisette Lombé, Cécile Coulon, Stéphanie Vovor, Kae Tempest
Artiste textile · Mélanie Vincensini
Production: Schoß Company
Diffusion: Emilien Rossier - oh la la performing arts production
12-13 april 2024 Fondation Opale Lens
2 may Gare du Nord Basel
16-18.08.2024 Festival Kaleidoscope, Romainmôtier
31.08.2024 Ferme Asile, Sion
Ardenti Administrationem, Piece for table no.4
Drame de chambre for two performers, dispositifs électroacoustiques, objets et lumières
Piece commissioned by Wespoke, 2023
This piece is a piece of musical theatre and is part of a series of pieces for the everyday moment called "Piece for Table".
This performance had its world premiere with the performer and percussionist Andrea Zamengo who performed it in Bern, Switzerland on January 20, 2022 for the Traffic Festival.
This piece was performed by Chloé Bieri at the 100th anniversary of the IGNM Bern at the Dampfzentrale
Composition, concept: Chloé Bieri
Musicians: Julien Annoni Julien Mégroz
This piece has also performed by the duo Romanesco
Romane Bouffioux and Corentin Barro
Gare du Nord Basel
HSLU Luzern
Wifi
Piece for table no.1
For voice, live electronics, 4 speakers, midi keyboard, mixer and computer
This piece is a piece of musical theatre and is the first one of a series of pieces for the everyday moment called "Piece for Table".
This piece uses sound spatialisation and elements from contemporary music and French chanson, including the French singer Barbara and her song, Vienne.
Play Time, Bern 2018
SMC, Lausanne 2019
Gare du Nord Basel 2019
Opus Air Box
Arioso for a dancer, a singer and 62 radios
Dance / music
Marthe Krummenacher dance
Chloé Bieri music and performance
Alessandra Domingues light
Daniel Zéa programming and sound installation
Festival de la Bâtie, Genève
2020
30-31.08.20
1.09.20
Radio Cliquez ici
Usine à gaz, Nyon
18.09.20
Machinations 2000
Composition: Georges Aperghis
Régie Pierre Sublet
Performance for four women and computer based on texts by François Regnault and Georges Aperghis (new version for four couples and computer by Pierre Sublet, 2019)
Since its premiere at IRCAM, Paris, in 2000, Machinations has become an icon of contemporary musical theatre. What happens when four women (in our version, four couples) and a machine, a computer, come together on stage? Let's take a look at their communication and observe the chemical reaction. The whole thing trans- cends into a great game, a sublime 50-minute poem.
Machinations, one of Georges Aperghis's most moving pieces, brings together, interferes with, opposes, and creates an amusing and tragic symbiosis between human beings and machines.
La belle bleue
Concept / Performance / Composition: Chloé Bieri
Direction/ Choreography: Faustine Moret
With music by Pascal Auberson and traditional Swiss songs.
This performance is not just about music, it's also about ecological and ethical issues. La belle bleue redraws our traditions, adapts them to our times, and redefines new frontiers. Races, species and genders mix and become witnesses to the beauty and magic of life.
100th years IGNM Bern
100 Jahre Musik von Heute
with Chloé Bieri, Ensemble WeSpoke, Ensemble Nikel, Pierre Sublet
Chloé Bieri performed:
John Cage - Solo for voice 31 – Theatrical performance -
Chloé Bieri ”Gala" pièce pour table no.2
Carlo Barbagallo “Dal Sottosuolo”
3.06.2022 100 ans IGNM Bern, Dampfzentrale
Millenium Unicorn
Piece for table no.3
For two performers, live electronics, synthesisers, megaphones and objects
Piece commissioned by the Duo frKRr in 2023
During the piece, the performers activate a series of sounds and objects as a counterpoint to their vocal parts. The piece is inspired by the Hörspiel and the different professions in the cinema: noisemaker, doublers, actors, lighting technicians. This piece is also inspired by the Millennium Falcon: YT-1300F
Composition, concept: Chloé Bieri
Sound programmation and musician: Andreas Eduardo Frank
Singer and musician: Anne-May Krüger
Gare du Nord Basel
Fracanaüm Lausanne
Aula Progr Berne
2023
Dal Sottosuolo
Composition Carlo Barbagallo
French translation Chloé Bieri
Text of Fedor Dostojevski
Recording and post production french version
IGNM Bern Dampfzentrale 3.06.22
Bam Festival 8-9.04.22
Le Pommier Neuchâtel 20.03.22
Bern HKB 8.06.2018
Das Glashaus
Das Glashaus ( 1974/75)
Für sechs Sprecher, Sopran, Schlagzeug und Tonband
Pierre Sublet regie
Diana Ammann Kostüme
Yesid Fonseca Aranda Assistent
In diesem musiktheatralischen Modell geht es um Macht, soziale Ordnung, latente Gewalt und miss-/gelungene Revolution. Mit psychophonetischen Mitteln macht Hans Wüthrich typische Verhaltensmuster innerhalb von Hackordnungen Sicht- und hörbar.
Gare du Nord Bâle, HKB Bern, Achtbrücken Köln 2017
Colette Magny
Composition and direction: Charlotte Torres
for: Chloé Bieri
Texts: ‘Répression’ by Colette Magny / ‘Proclamations Révolutionnaires’ - Port au Prince 1793
Photography and video editing by Franz Bannwart
A work on the cry, vocal expressionism revisited, radical musical and political extremism.
Play Time Bern 2019
Gare du Nord Basel 2023
La chanson dans l'esthétique du théâtre musical
Author: Chloé Bieri
Research project on the song in contemporary music
This work can be ordered from the following address:
2018
Vague
For solo voice and electronics
Performance: Chloé Bieri
Compositions: Huihui Cheng, Léo Collin, Mathieu Corajod, Stanislas Pili, Chloé Bieri
Sound engineering: Yesid Fonseca Maxime Le Saux
Outside view: Pierre Sublet
Soapbox Pakt Bern
2.06.21
IGNM Zürich
11.09.21
Théâtre du Pommier Neuchâtel
20.03.22
BAM Festival Berlin
7-8.04.22
Gala
Piece for table no.2
For objects, disco ball, glass and a soloist
This piece is a piece of musical theatre and is part of a series of pieces for the everyday moment called "Piece for Table".
This performance had its world premiere with the performer and percussionist Andrea Zamengo who performed it in Bern, Switzerland on January 20, 2022 for the Traffic Festival.
This piece was performed by Chloé Bieri at the 100th anniversary of the IGNM Bern at the Dampfzentrale
Composition, concept: Chloé Bieri
Sounds programmation: Andrea Zamengo
Outside look: Stanislas PIli
Next 18.04.23 Gare du Nord Basel
Traffic Festival Bern 2022
100th years IGNM Bern Dampfzentrale
3.06.2022
Echos of Queen
Piece for a performer, metal cage, installation of 40 jacks and neon lights
The performer is a telephone operator from the 40s, with all that was involved in being a woman in society at that time.
Telephone operators created impressive networks of telephone connections by inserting jacks into large panels facing them. Here, using a sound installation consisting of a metal cage with jacks suspended over it, the performer will represent four telephone connection tables.
Bern
Zürich
2021
C2b7
Création: Chloé Bieri
C2b7 (2019) pour 4 joueurs d’échec, live vidéo et électronique
Le travail de Chloé Bieri exprime la nature du chaos d’un point de vue scientifique. Cette pièce est une bataille et une rencontre entre la musique expérimentale, la musique contemporaine et la chanson française.
La pièce allie le geste à un effet sonore, grâce à l'électronique et aux capteurs de mouvements sur les pions de l'échiquier géant.
La pièce rend un hommage, soit à la défaite de notre civilisation, soit à l'inévitable rébellion.
Musiciens: Julien Annoni, Kaja Farszky, Julien Mégroz, Gwen Rouger,
Technique Robert Torche
Mixage Baptiste Bieri
Mastering Antoine Schöner
Das Raunen der Dinge
Experimentelle Rauschoper für eine Sängerin, VocalFlashmob, Videoprojektionen und live Elektronik
Concept et direction Franziska Baumann
Video Claudia Brieske
Musikfestival Bern Rauschen
Septembre 2019
Avec orgueil et honte
Mémoires d'une chanteuse soliste
Directed by Stanislas Pili
Compositions by Carlo Barbagallo, Chloé Bieri and Stanislas Pili
Performer: Chloé Bieri
‘Avec orgueil et honte’ is a stage biography of a singer tormented by the contrast between her glittering public image and her dark, fragile solitude. The chapters of this audio-visual novel mirror the bipolar character of a singer who sees no difference between a song and the noises around her. When she is alone in the shower, she sings and considers the sound of falling water a perfect accompaniment to her voice, not a noise to be silenced when the song is performed in public.
Septembre 2018